Thursday, 8 September 2016

Gender Representation in Thriller films


A study on gender representations in thriller films with analysis
In thriller movies, there is a clear division between male and female. In most thriller movies, men are the main protagonist that helps save the helpless woman whereby he is strong, protective, good-looking and he's allowed to look at women as an object for e.g. James Bond movies. Whereas, the woman are not independent(they need a masculine figure to survive), they are always the heroine, they are always pretty so they can be used as a object by the male. I will outline the gender representations in different thriller movies.

Firstly, the movie 'Brick' clearly emphasises the stereotypical view of how woman and men should be presented. This is shown at the start of the Thriller opening when the protagonist is praying with his hands clanked together tightly whilst this helpless, dead young female is on the floor, which shows that he feels angry that he failed to protect her perhaps is desire went before his protection for this girl. Similarly, the movie 'Drive' presents the protagonist to be dominant and has all the ultimate power through voice over and very intense music. The car mechanic refers the car as a 'woman' as the car is the protagonist's possession thus emphasising how woman are objects and are men's property.

Moreover, the thriller opening of the movie 'Heat' presents the protagonist to be mysterious as the audience is left with doubts in our mind what he is trying to stop due to the intense music. He obviously has the ultimate power through his gait, facial expressions and body language. This character is known to be one of the typical characters presented in thriller films.  Similarly, the
film 'Leon' presents men to deal things quickly through violence and terror, which inevitably makes them evil and dominant. These two movies haven't included women in the Thriller opening sequence, which shows the gender division of roles(Murdock)

Millers Crossing also presents the protagonist to be obsessed with money, and if anyone disrupts their money they would fight back through violence. In this movie, men are presented to be untrustworthy as business deals never has a finished solution but rather one benefits and the other doesn't. Tinker, Tailor, Soldier, Spy also presents their protagonist assessed to finish another man's business through a mission and conspiracy. It presents woman to be helpless as a young woman with a child gets shot but her baby is still alive, which makes us question why.

Whereas, Donnie Darko doesn't have any gender representations in the opening sequence as it presents the main protagonist, which is a male, to be helpless. He is unsure where he is when he is riding his bike but soon becomes more confident like any other person during his journey. This thriller movie opening takes away the stereotype of only woman to be seen as helpless. This movie thriller opening could be compared to 'Brick' as both Donnie Darko and the helpless woman were on the floor, which presents their status in society in some sense or even their authority in society.

Most of these movies identify men as being dominant, strong, brave and intelligent when comes to scenarios that occur. But in my thriller opening sequence we want to break the stereotype however this stereotype must be applied at our thriller opening to give the audience a clear description of how the main protagonist is like. The movie that gave us most inspiration for our thriller opening sequence is Donnie Darko as the main protagonist is helpless and meek but gains his confidence after, which in some sense, is the same for our main protagonist.


The movie Se7en presents male to be helpless and unworthy in the opening sequence through Morgan Freeman's fragile body laying down on the bed whilst he slowly flicks an arrow on a timer that creates tension, whether or not he is worthy of anything. Similarly, the thriller opening sequence of 'Bourne Identity' presents the main protagonist to be worthless and helpless as he is relying on men who bet occasionally to help his health gradually function properly, which makes us question men could be worthless as well as females.

The Thriller Opening Sequence 'The Machinist' presents the main protagonist to be strong, dominant and ruthless as his many scars and cuts in his face or in his body convey this stereotype of male characters being so. However, the opening sequence of the film 'The Silence of the Lambs' presents the female protagonist to be dominant and strong, which most movies do not present thus making the audience wonder why.

These movies from my own research helps me identify how our antagonist in our thriller opening sequence should be like. However, these movies have a clear distinction of the different ways of how men can be seen as dominant. The thriller opening sequence of 'The Machinist' and the 'Silence of the Lambs' give me a clear overview of how our killer, a peculiar antagonist should be presented however the characters don't know who the killer is but we, as the audience, know who the killer is as the killer presents itself at the end of the Thriller opening sequence.
Long shot in the movie 'Brick', which emphasises the different characters' dominance in society and what it resulted to. However, this shot also presents the young man to be helpless as the dead girl on the ground.

Long shot in the movie 'Drive' conveys the main protagonist to be a typical masculine character as the mechanic refers his car to a 'she', which clearly displays the distinction between male and female. This could also mean this reflects women's role in society as being possessions whereby this film clearly is effective in doing so through referring cars as 'she'.

Extreme close up of the movie 'Leon', which the antagonist is showing his colleague who he wants him to get killed and the constant close up and reserve shot of the two characters and this man creates suspense as well as tension.

Medium shot of the movie 'Millers Crossing', which this man is desperate to get help from his friend so he can deal with his business enemy. His bodyguard represents his status in society and how much people feel intimidated by him in some aspects.

Long shot of the movie 'Donnie Darko, which makes the audience wonder if the person laying down on the floor is female or male as well as are they alive. This shot presents us lots of doubts in our mind which shows this shot is effective as it clearly shows that we are engaged in the film through the use of this shot.
Medium shot of the movie 'Se7en', which presents this character to be very fragile and helpless as he is unable to function properly or move things to a sufficient speed which makes the audience feel sorry for him and feel empathy for him.
Close up of the movie 'The Bourne Identity', which presents this main protagonist to be nearly dead or perhaps dead thus presenting men to be helpless and dependent(subverts the gender stereotype thus this clearly shows that men can be vulnerable too not only women).
Close up of the movie 'The Machinist', which presents this character to dominant as he threw someone that he supposedly killed but his scars make him seem helpless in a sense as someone must have punched him thus he is a innocent character. 
Medium shot of the movie 'The Silence of the Lambs', which shows this female is not intimidated by these men and she looks a bit manly through her sweatshirt with sweat covered on it.

Long shot of the movie 'Tinker, Tailor, Soldier, Spy', which the main protagonist gets shot for his betrayal whilst the main antagonist's wife or lover gets shot so he automatically runs for her for his loss- the shots conforms to the stereotype whereby women need to be protected.






Evaluation- what I learnt
From analysing this film, I learnt how men and women tend to be perceived in thriller films and the significance for this. Before I started AS Media, I noticed the stereotypes shown between men and women but I tend to be an 'passive'(Hypodermic needle theory)rather than 'active'(Encoding/Decoding model of communication- Stuart Hall) as I never question what are the implications of this representation in the wider society.

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